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FLESH TV HOSTS ART PROJECTS, SOLO AND COLLABORATIVE WORKS WITHIN THE SPHERE OF SOUND ART, EXPERIMENTAL MUSIC, AVANT-GARDE, ELECTRO-ACOUSTIC, FIELD RECORDING, ELECTRONIC, NOISE AND OTHER SUB-GENRES THAT RELATE TO THIS FIELD. IT WILL ALSO FEATURE AUDIO-VISUAL EXPERIENCES, SHORT FILMS, HYBRID, MIXED MEDIA FORMS AND WRITTEN CONTENT LIKE ESSAYS, ARTICLES, ETC.
Flesh TV's first project aspires to use sound art as a political tool to raise awareness on animal exploitation and join the debate around animal rights through an innovative, creative format. This compilation features more than 20 artists from all over the globe concerned with this cause, each of whom contributed an exclusive sound piece and a piece of mind on animal rights. What makes this release singular is that it enhances a wide spectrum of hybrid, experimental sound material with a powerful message conveyed by a collective book.
The book, part of this release, is a strong manifesto in which the artists involved share their very personal and intimate vision of the animal condition today. By doing so, they allow their opinions to feed a more global, political reflection on the animal rights movement as well as their role as artists to empower a worldwide call for compassion and justice for all.
In times when discrimination and oppression are fought through the largest scope possible -gender, ethnicity, class, sexual orientation, physical ability-, it's both surprising and sad to notice how often the convergence of social struggles (sexism, racism, homophobia and so forth) fail to connect animal exploitation or more broadly, speciesism to its global fight, unable to see that they all rise from the same source. Our currents of betterment rely on our capacity to see things on a larger level and to refect on our share of violence and responsibility in systems of oppression and brutality.
This compilation is lastly about supporting organizations and activists with donations¹ as well as providing them with exposure, knowing that most of them are very local, specific and little-known initiatives. By inviting each artist involved to choose a local group or activist, this project intends to draw a web of actors and structures involved into framing a future where all non-human lives are valued and respected.
Flesh TV supports all forms of activism, from legislative pressure to direct action, and wants to push a common vision that brings together people despite their varying means of operation, turning utopias into concrete actions. It's vital, now more than ever, to shed a light on all the projects that are actively working to fill an institutional void on these questions. They are fiercely standing as glimmers of hope in the face of politicians' inaction.
Feel free to get in touch if you resonate with the platform values and feel like contributing in any way. Growing a network of artists, researchers, collectives, activists and a solid audience around Flesh TV is crucial as one of our main goals is to nurture a new community thanks to this project.
¹ 50% of the compilation proceeds will be donated to animal rights organizations and activists selected by the artists and the remaining 50% will be used to cover part of the production costs. Your support will not only benefit the animal cause but also enable us to pursue our mission and launch new projects.
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Flesh TV's first project aspires to use sound art as a political tool to raise awareness on animal exploitation and join the debate around animal rights through an innovative, creative format. This compilation features more than 20 artists from all over the globe concerned with this cause, each of whom contributed an exclusive sound piece and a piece of mind on animal rights. What makes this release singular is that it enhances a wide spectrum of hybrid, experimental sound material with a powerful message conveyed by a collective book.
The book, part of this release, is a strong manifesto in which the artists involved share their very personal and intimate vision of the animal condition today. By doing so, they allow their opinions to feed a more global, political reflection on the animal rights movement as well as their role as artists to empower a worldwide call for compassion and justice for all.
In times when discrimination and oppression are fought through the largest scope possible -gender, ethnicity, class, sexual orientation, physical ability-, it's both surprising and sad to notice how often the convergence of social struggles (sexism, racism, homophobia and so forth) fail to connect animal exploitation or more broadly, speciesism to its global fight, unable to see that they all rise from the same source. Our currents of betterment rely on our capacity to see things on a larger level and to refect on our share of violence and responsibility in systems of oppression and brutality.
This compilation is lastly about supporting organizations and activists with donations¹ as well as providing them with exposure, knowing that most of them are very local, specific and little-known initiatives. By inviting each artist involved to choose a local group or activist, this project intends to draw a web of actors and structures involved into framing a future where all non-human lives are valued and respected.
Flesh TV supports all forms of activism, from legislative pressure to direct action, and wants to push a common vision that brings together people despite their varying means of operation, turning utopias into concrete actions. It's vital, now more than ever, to shed a light on all the projects that are actively working to fill an institutional void on these questions. They are fiercely standing as glimmers of hope in the face of politicians' inaction.
Feel free to get in touch if you resonate with the platform values and feel like contributing in any way. Growing a network of artists, researchers, collectives, activists and a solid audience around Flesh TV is crucial as one of our main goals is to nurture a new community thanks to this project.
¹ 50% of the compilation proceeds will be donated to animal rights organizations and activists selected by the artists and the remaining 50% will be used to cover part of the production costs. Your support will not only benefit the animal cause but also enable us to pursue our mission and launch new projects.
graphics Fluor Optimal · webdesign ff87c3.eu
graphisme Fluor Optimal · développement web ff87c3.eu
Oxhy is a musician from London and co-founder of the label Xquisite Releases. Oxhy makes work about the forest and insurrection. 2021 saw the release of their debut album "woodland dance".
oxhy.xyz/
oxhy.bandcamp.com/
Susu Laroche is an anagram of Chaos Lure Us and a multidisciplinary artist working with film, photography and sound.
susularoche.com/
I am a musician and sound artist currently working out of Austin, Texas.
I prefer working with field recordings and samples to create a lush collage of sounds for the listener to get lost in, while also sprinkling in my passion for animal welfare and social justice.
andrewjamesanderson.bandcamp.com/
thaa.bandcamp.com/
My name is Thor Harris. I have played music with Swans, Lawrence English, Ben Frost, Bill Callahan, Shearwater, Devendra Banhart, Amanda Palmer, Thor & Friends and many more.
thorharris.org/
thorharris.bandcamp.com/music/
thaa.bandcamp.com/
Jonáš Gruska was born in Czechoslovakia and studied at the Institute of Sonology in The Hague (Netherlands) as well as Music Academy in Cracow (Poland). His main focus is chaotic and polymetric rhythms, unconventional tunings, exploration of psychoacoustic properties of sound and field recording. He has created several site-specific sound installations, based on resonant properties of spaces and materials. He has given workshops on sonifcation, field recording, electromagnetic listening, and programming for artists. He is the creator of Elektrosluch – electromagnetic listening device.
In 2011, he started the label and instrument manufacturing company LOM focused on East/Central European experimental art and music. In 2018, he opened LOM space, a place for contemporary sound in Bratislava. In 2019, he established bioLOM/mykoLOM platform dealing with amateur mycology, lichenology and broader fungal perspectives. The same year, he also started a mykoLOM festival, intersecting arts, mycology and foraging tradition.
jonasgru.sk/
Loreles is the solo project of Clément Hateau, based in Paris, France.
He's Pencey Sloe and Lodges’ drummer and is also the producer of Infnite Patterns, a series of mixes focused on artists from North Africa and Western Asia. His productions are centered on ambient/techno, early industrial music and dungeon synth.
Colin Andrew Sheffield's (b. 1976, El Paso TX) work focuses on the strict re- contextualization of commercially available recordings. His aim is to distill the essential qualities of these works and to then utilize that essence for new recordings. Usually only very brief sections of the original works are selected. These raw components are then contracted, expanded, layered, and/or otherwise processed until something new is forged. The resultant music is an often atmospheric soundscape, gradually shifting and unfolding, offering subtle nuances and quiet restraint.
His recordings often seem to have much in common with ambient electronic music, though are equally akin to "plunderphonic" audio collage. Aside from releasing several solo recordings, Sheffield has numerous collaborative projects : The Palladists (with David Reed), Sheffield/Rippie (with James Eck Rippie), and Bug Rugs (with Adam Pacione). In 1998, Sheffield founded the Elevator Bath recording label which has continually issued experimental works by a variety of artists from the United States and abroad.
elevatorbath.com/
Cedrik Fermont (aka C-drík, Kirdec, Cdrk) is a Berlin-based Belgian-Congolese composer, musician, mastering engineer, author, radio host, concert organiser, independent researcher and label manager (at Syrphe) who has been operating in the genres of noise, electronic and experimental music since 1989.
His compositions vary from sound art and electroacoustic to noise, to industrial to more conventional 'dance' music such as electronica or acid and so on; he operates solo and in collaborative projects (as Axiome, Tasjiil Moujahed, Ambre, with Marie Takahashi, Luong Hue Trinh, Mick Harris, Dora Bleu, Yan Jun, and many more). He has toured extensively in Eurasia, Africa and North America, and his main research focuses on electronic, electroacoustic, experimental and noise music from Asia and Africa.
syrphe.com/
syrphe.bandcamp.com/
Felicity Mangan is an Australian sound artist and composer based in Berlin, Germany since 2008. In different situations such as solo performance, collaborative projects with other musicians, or installation, Felicity draws from her field recording archive timbres and biorhythmic patterns coalescing into a type of bioacoustic electronic music. Felicity has played in collaborative project Native Instrument (Shelter Press, Entr’acte) presenting electro-acoustic bug beats with vocalist Stine Janvin.
Felicity has released solo publications on Longform Editions titled Stereo’frog’ic, a sound piece crafted from found recordings of frogs, insects and other ‘vocal’ animals wavering about in a stereo field, and more recently, a tape release titled Creepy Crawly on Slovakian label Mappa Editions. Felicity has presented projects in many different settings from galleries, gardens, clubs, festivals and online platforms throughout Europe, including National Gallery Denmark, Technosphärenklänge CTM/HKW, Sonic Acts Academy and RIVERSSSOUNDS.org.
felicitymangan.org/
felicitymangan.bandcamp.com/
Sound as communication in direct and primal form, a language, a tool of metaphysics, a conscience and a consciousness, vibration. dp re/searches and ponders existences and behaviourisms humanimalistically. works that oppose the omnipresent restriction and reduction of life and living, that activate primordial shared emotions otherwise hidden under the debris of civilisation, inviting rumination, encouraging intervention, endorsing catharsis, liberating, cleansing, therapeutic. sonic activism, ritual protest music, humanimalism.
dp might touch topics such as sentient perception and awareness, environmental sensitisation, existentialism and existential e/quality, but it’s as much how these and related topics interconnect that interests, the hyperconnectivity some call chaos - all our relationships. methods are audio de/construction, composition, sonic rituals, psycho-acoustics and performance. tools are voice, body, field recordings, electronics, objects, video. dp has been sonically active for 36+ years, has appeared on 280+ releases and has played 750+ concerts in 50+ countries.
davephillips.ch/
dave-phillips.bandcamp.com/
Arash Pandi is an experimental electronic musician, sound designer and teacher from Iran, currently based in Denmark. In recent years, he has been experimenting with Iranian classical music through programming microtonal systems, improvising and using various sound synthesis and audio production techniques to achieve his particular form of 'Persian electronic music’.
He is the co-founder of Now Or Never, a network for sound artists in Denmark bringing awareness to the emergency of climate crisis and the need for a compassionate lifestyle and system. He is also the founder of Critical Farming Study Group, a network of students and teachers which works to make an impact on future farming educational content in Denmark. Currently, he is studying organic farming and exploring the downsides of modern agricultural methods, which are highly dependent on animal exploitation. Overall, he is trying to fnd sustainable and ethical approaches to farming.
arashpandi.com/
zabtesote.bandcamp.com/album/exotic-paradox/
German Army is an experimental musical act from California centered around an American artist using the pseudonym Peter Kris (PK). Together with bandmate Norm Heston (NH), they release music prolifically and almost exclusively as small runs on boutique cassette tape labels. The titles and themes of the releases often highlight indigenous cultures and their anti-colonial struggles with western nations. Songs range in variety, with song titles representing diverse regions, languages, and peoples worldwide. germanarmymusic.bandcamp.com/
Robbie Judkins is a sound artist and musician, radio broadcaster and events organiser. His practice explores political and personal issues: human & non-human animal relationships, mental health, work, sound as therapy, activism and noise. Robbie also performs work as Left Hand Cuts off the Right, is the creator of Animal Sounds (Resonance FM), Parallax View (Threads Radio) and member of punk-noise group, Bruxa Maria.
cargocollective.com/robbiejudkins/
lefthandcutsofftheright.bandcamp.com/
Veganoise project by Masami Akita (born 1956. Tokyo)
He played in several rock improvisation bands in the late 1970s, but he gradually withdrew himself from the rock scene and began experimenting in his basement with broken tape recorders and feedback before founding his own noise music and starting the project Merzbow in 1981.
merzbow.net/
merzbow.bandcamp.com/
Since the end of the 70s, Carl Michael von Hausswolff has worked as a composer using recording technology as his main instrument and as a visual artist using light projections, film/video and still photography as well as other media. His music has been played at festivals such as Sonar (Barcelona), CTM (Berlin), L’audible (Paris), el niche Aural (Mexico City), MUTEK (Montreal) etc. and he released records on labels like RasterNoton (Berlin), Touch (London), Pomperipossa (Göteborg) and iDeal (Göteborg).
He recently curated the 2nd part of the sound-installation FREQ_OUT named freq_wave in cooperation with TBA21–Academy and collaborates with artist Leif Elggren, EVP re- searcher Michael Esposito, composers Hans-Joachim Roedelius, Mark Fell, Jim O’Rourke, author Leslie Winer and as Dark Morph (with Jónsi of Sigur Rós). He has also collaborated with Pan Sonic, The Hafler Trio, Organum and PHAUSS.
cmvonhausswolff.net/
Neurokill is a multidisciplinary artist, a monster based in Mexico City. A DJ and producer,
his hybrid mix of genres, screams and noisy kicks enter a sensation-melting climax, killing your neurons. He just released his first EP "Biutiful Mess". He has been a resident DJ at the Terminal Club Antisocial (MX) and he's also the brain behind the queer party "Baby Ratta" which is also a non-binary independent clothing brand.
soundcloud.com/neurokillkillkill/
neurokill.bandcamp.com/
Rym Nouioua is an ecologist in the early stages of her scientific career (MSc) based in Bremen/Germany. Both her artistic and scientific work revolves around the topic of environmental changes and their impacts on human and non-human interactions. With this in mind, she develops noise music that includes bat sounds and deals with questions concerning natural and wildlife conservation.
rym-nouioua.com/
grubenwehrfreiburg.bandcamp.com/album/swarming/
Founder of Global Forest, an artist residency in the former studio of Martin Kippenberger in the Black Forest/Germany. Also curator of Dual Sessions, a multidisciplinary format that brings together industry, science, art, music and pop. More recently, he lived and worked as a scholarship holder at the Cité Internationale des Arts in Paris, where he set exhibition and performance projects such as Louvre Underground.
saschabrosamer.com/
totalsilencecologne.bandcamp.com/album/the-bat-effect-2/
Sukitoa o Namau is a Moroccan experimental sound artist, researcher and activist. Her background is rooted in contemporary dance, performance and visual arts. At the core of her work lies the idea of thresholds and how a cluster of fragments can morph into sonic matter, open up spaces (and meanings) and operate on several levels of perception.
She's part of the Animalist Party, a French political party which works on bringing animal rights to the political sphere and on rethinking our relationship to animals. She has also been active in the field with animal defense organizations, whether they're focused on animals used for food consumption or centered on animal exploitation and abuse in circuses/dolphinariums, the use of fur/angora/leather by the fashion industry, animal testing, bullfighting and bloodsports.
sukitoaonamau.bandcamp.com/
rec-on.org/sukitoaonamau.html/
Dylan Kerr is an Irish artist based in Berlin. Their work takes the form of durational, endurance-based performance, drawing on the embodied languages of ritual, protest, and worship. Their practice also focuses on audio-based work which operates on the cusp of sound art and contemporary music, with a prevalent infuence of religious arrangements. Much of their work has been made public through site specific performances and installations in adapted-use buildings. b0dy of Christ is a vegan food project by Dylan Kerr / Baptist Goth, working through ideas of nourishment and care.
baptistgoth.bandcamp.com/
soundcloud.com/dylan-kerr-6/
Bonyface is an interdisciplinary freelance artist based in the 21st century. Born into a temporal no-man’s land, too late for rave, too early for web 3, completely baffled by the creative process.
bonyface.net/
straysignals.net/
Hélène Vogelsinger is a French singer, film composer and sound designer.
In her modular synth project, she explores different places and connects with their energies to create unique and suspended moments. Her creative universe is poetic, spiritual and soul searching.
helene.vogelsinger.fr/
helenevogelsinger.bandcamp.com/
Antye Greie-Ripatti calls herself online poemproducer, audio sculptress, performing and producing as AGF. She/her published more than 30 records, countless media projects and organizes sound interventions with others around the globe, initiated recon on rec-on.org and lectures around sound facilitation. Her work inhabits an augmented space where pounding {Berlin} experimental after-techno, spoken word, abstract video art, feminism and radical ecology create a self-sustaining environment. Active since the early 90's, she has collaborated with strong names in electronic music such as French pioneer Eliane Radigue, German legends Gudrun Gut and Ellen Allien, British avantgardist Kaffe Matthews, Finnish IDM treasure Vladislav Delay and classical composer Craig Armstrong.
antyegreie.com/
FLESH TV IS AN INTERDISCIPLINARY PLATFORM FOCUSED ON RESTORING OUR RELATIONSHIP WITH LIFE ON EARTH. WE AIM TO EXPLORE ALTERNATIVE PARADIGMS AND FORMS OF ACTIVISM USING ART, RESEARCH AND CRITICAL THINKING.
Flesh TV was born out of reflections around the concepts of humanity and animality and the philosophical, ethical, political, economical, socio-cultural stakes that resulted from the separation between Human and Animal. The study of our origin and development as humans -anthropogenesis- coupled to disciplines like biology, anthropology, psychology, philosophy (to name a few) shaped through commonly accepted delimitations the way we interact with other species as well as with our environment.
The overexploitation of animals and nature and its consequences (species extinction, loss of natural habitat, natural resources depletion, pollution, waste, climate change, zoonoses,...) must make us ask ourselves whether the separation between Human and Animal is a starting point to question our relationship to others and the world?
The 'political animal' we're supposed to be, a social creature with the power of moral reasoning, worked actively towards its mastery over nature rather than embracing its role within the circle of living things, co-existing and relying on one another. Human activity has reduced the biomass of terrestrial mammals and wild marine by six and the biomass of plant matter by half. Today, humans and intensive farming livestock account for 96% of Mammal Biomass: humans representing 36%, domesticated livestock, mostly cows and pigs accounting for 60%, and wild mammals a mere 4%¹. This observation brings us to the fact that 60% of the mammal biomass is made of life that is bred solely to be killed and consumed.
Flesh TV intends to bring together artists, thinkers, writers, activists, organizations from all around the world who are interested in addressing these topics. It also aims at highlighting earth + animal rights collectives and activists, bringing exposure and support to their work and actions. Its main mission is to channel the power behind a growing community of creators and actors willing to challenge anthropocentrism and to engage in a cultural transformation of our societies. This change requires a profound reconfiguration of our thinking and sensitivity to abandon our inorganic ways (exploitive, mechanistic, destructive) and shift to a holistic vision of our systems. This platform aspires to be a space for reflection, creation and action, where like-minded people are allowed to blend their practices with their convictions, connect, collaborate, inspire and get inspired.
When did human animals dissociate themselves from non-human animals and reduced other lives to objects for the use of their own species? When did humanity and nature became two separate things? Is this separation the root that justifes the structural violence we use against other species and our environment? Since the onset of the agricultural, scientific and industrial revolutions, has mankind lost its relation to nature or to its own human nature – as part of an ecosystem?
With agriculture, we began to domesticate the whole world. Domestication imposes a hierarchy onto the interspecies relationship, as man becomes lord and master of animals. Understandably, this relationship is then projected onto the whole of nature, which becomes in its entirety the object of domination and control. Agriculture inaugurated our conception of the earth as a resource or asset, defined primarily by its productivity. As we lost our relation to the land, we lost our relation to anything assumed to have an extrinsic, conditional value based on what it could produce.
While turning ecosystems and living beings into 'natural capital,' exploitation and extractivism became the principles of a nonreciprocal, unbalanced, dominance-based relationship with the earth and its inhabitants, one purely of taking without creating the conditions for regeneration and future life to prosper. The ultimate form of capitalism -neoliberalism- denies integrity and sentience to any being used for generating profit. Our economic model is at war with life on earth and is blind to the fact that cooperation is the primary engine of evolution. However, each of us has the ability, opportunity and power to decide and act in ways that can minimize our negative impact: our way of life stands as both the problem and the solution.
Flesh TV aspires to merge art, research and activism to encourage a political commitment on animal and nature-related topics within those realms. Whoever takes part in the platform and its various projects is engaged, one way or another, on a personal and/or public level, in the common vision, ideals and hopes underlying this initiative. It ranges from participants that simply choose a lifestyle that stands against animal exploitation and nature destruction, to those who use their platforms to raise awareness on these issues, to finally those who create entire projects to reinvent our relationship to what we stopped portraying as kin. As an art platform, sound label, research medium, as a transdisciplinary political space, we want to create, host, and nourish ideas, representations, attitudes and behaviors without which the transition to the future we're envisioning, and somehow incarnating through our choices and practices, cannot happen.
Ever since the rise of agrarian civilizations, cultures have justified their domination over those they conquered by claiming innate superiority. Human dominion over the natural world proceeds from a firm basis of religion, science, technology, philosophy, culture and other systems, disciplines and models implied in shaping our actions and habits, layers and assumptions, practices and mindsets. The limits of such a paradigm cannot be ignored when confronted with its disastrous consequences, whether we focus on the state of the planet or our treatment of animals. Is it still acceptable to maintain this position and justify being on top of everything? Is such a hierarchy relevant when we go as far as endangering our own species and habitat?
If we put aside the scientific and philosophical debate about consciousness as what differentiate humans from animals, it's worth mentioning that all the research on which human supremacy was built has never been confronted with an animal-oriented equivalent body of knowledge. Disciplines like ethology –the study of animal behavior– are quite recent (early-1900) and their applications are both versatile and ambiguous: they can be used in animal ethics to defend animal autonomy and dignity as well as to improve their conditions of detention and exploitation.
What we call Animal Science today is commonly described as "studying the biology of the animals that are under the control of humankind," a discipline that is concerned only with improving the business of producing domestic livestock species. Even the term 'animal welfare' suffers from an anthropocentric perspective as it relies on a utilitarian attitude towards the well-being of non-human animals: even if animals have some moral standing and should be treated respectfully or humanely, it is nevertheless tolerable for humans to use animals in various ways that harm them.
Can new paradigms emerge from re-thinking, re-designing the tension between human and non-human animals? Can new behaviors appear from re-adjusting how we belong in the world? Would they give birth to new relationships, based on sharing and cooperating rather than exploiting and pillaging?
Flesh TV wants to participate in a global effort to shape a new consciousness, one in which co-existence triumphs over domination, and humility before nature’s complexity. There's a forgotten fundamental chemistry in how we, as a species, are entangled in the multiple interdependencies of a sprawling ecosystem. Flesh TV focuses on how we treat non-humans and nature as a starting point to question our condition and relationship to the world, to refect on the experience of life and our so- called 'humanity,' and what that means, and what we want it to mean.
To put it in the most anthropocentric way:
When does one start becoming a human - or stop being one?
graphics Fluor Optimal · webdesign ff87c3.eu
graphisme Fluor Optimal · développement web ff87c3.eu